Perhaps a more efficient definition of Accelerationism might be something like this: it’s possible to use the master’s tools to dismantle the master’s house provided one masters those tools herself. Like Dijkstra’s photographs of women in childbirth whose strength seems forged from the ability to overcome their resistance altogether, it should be noted that were there even the slightest trace of defiance on the face of the woman at the pool, she would look like she was suffering, on top of also being in a lot of pain.
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